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Between and Mortarboard

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415 UMMA Objects
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Manuel Carrillo
Dogs and Man on Horse at Beach
20th century
Gift of Mr. & Mrs. Arnold M. Gilbert
1981/2.2

Laton Alton Huffman
Untitled (View of Flock of Sheep and River)
1880 – 1905
Gift of Mr. and Mrs. Douglas M. Kenyon
1987/1.211

Thomas Wilmer Dewing
Classical Head
1851 – 1938
Gift of Michael J. McIntosh and T. Routh, in memory of David C. Huntington
1991/1.129

Auguste Rodin (French (culture or style))
Victor Hugo, de face
1885
Museum Purchase made possible by the Friends of the Museum of Art
1992/2.5
This is a vertically arranged abstract print that incorporates sets of facial features (and perhap legs) that stare out at the viewer. The colors in the print are predominately yellow on the right and black on the left; green, red, and white are also used.
Adja Yunkers (American (North American))
Succubae
1950
Museum Purchase
1950/2.22B

Georges Rouault (French (culture or style))
Miserere. Pl. 34. "Les ruines elles-mêmes ont péri."
1926
Museum Purchase
1954/2.32

Georges Rouault (French (culture or style))
Miserere. Pl.52. Dura lex sed lex. The law is hard, but it is the law.
1926
Gift of Jean Paul Slusser
1957/2.52

Leonard Baskin (American (North American))
Japanese Head
1950
Gift of Mr. and Mrs. Stephen A. Stone
1971/2.114
This black and white print shows an outdoor scene with lush leafy trees, open sky and mountains in the far distance. Two figures are walking along a wooded path in the foreground- one is a man with wings wearing robed garments and the other a younger man carrying a single large fish. There is a city shown in the middle distance through the trees and a pasture scene depicted on the right.
Hendrik Goudt
Tobias with the Angel Dragging the Fish (The Large Tobias)
1613
Museum Purchase
1972/1.165

Albert Kahn (American (North American))
Sketches in Cluny Museum, Paris
1869 – 1942
Transferred from the College of Architecture and Design, 1972—Gift of the Family of Albert Kahn: through Dr. Edgar A. Kahn; Mrs. Barnett Malbin; Mrs. Martin L. Butzel
1972/2.475
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This color woodcut is printed on black paper. At the center, there is a white horse with a monkey sitting on its back. Next to the monkey, there is a bright yellow object. A white figure swings from an amorphous shape, outlined in black, coming from the upper right of the image. The background is blue with a green circle to the upper left. The print is titled (l.l.) "Monkey and Lamp", numbered (l.c.) "47/50", signed and dated (l.r.) "A Ryan '45", and dedicated (l.c.) "For Felix III Christmas 1945" in white ink.
Anne Ryan (American (North American))
Monkey and Lamp
1945
Gift of Gerome Kamrowski
1979/2.128
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